Friday, December 30, 2011

SIN BANDERA - Te Vi Venir (Johan Sotelo)

Follow me on Twitter: twitter.com Sin Bandera - Te Vi Venir Aún ni siquiera te tengo y ya tengo miedo de perderte, amor qué rápido se me ha clavado qué dentro todo este dolor. Es poco lo que te conozco y ya pongo todo el juego a tu favor no tengo miedo de apostarte, perderte sí me da pavor. No me queda más refugio, que la fantasía no me queda más que hacer, que hacerte una poesía. Porque te vi venir y no dudé te vi llegar, y te abracé y puse toda mi pasión para que te quedaras y luego te besé y me arriesgué con la verdad te acaricié y al fin abrí mi corazón para que tú pasaras. no uh Mi amor te di sin condición para que te quedaras. Ahora esperaré algunos días para ver si lo que te di fue suficiente no sabes qué terror se siente la espera cada madrugada si tú ya no quisieras volver se perdería el sentido del amor por siempre no entendería ya este mundo me alejaría de la gente. No me queda más refugio, que la fantasía no me queda más que hacer que hacerte una poesía. Porque te vi venir y no dudé te vi llegar y te abracé y puse toda mi pasión para que te quedaras y luego te besé y me arriesgué con la verdad te acaricié y al fin abrí mi corazón para que tú pasaras. Mi amor te di sin condición para que te quedaras. uh Mi amor te di sin condición para que te quedaras. uh Mi amor te di sin condición para que te quedaras. GEAR USED: - Taylor 412ce-LTD 2011 Spring Limited Walnut Acoustic-Electric Guitar - Blue Baby Bottle Studio Condenser Microphone - Sennheiser e835 Dynamic ...

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Sunday, December 25, 2011

Blue Microphones Bluebird Accessory Pack

!±8±Blue Microphones Bluebird Accessory Pack

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Saturday, December 10, 2011

Benny Ibarra - Mia (Johan Sotelo)

Follow me on Twitter: twitter.com Benny Ibarra - Mia Si probaste otros besos, no te dejo por eso, yo no tengo el derecho ni pienso prohibirtelo. ¿para que? Si buscaste otros brazos, si te fue necesario, no tendrás que explicarlo; nunca voy a pedirtelo porque sé... Cuando llega la hora de hacerte el amor, no detecto otra huella en tu corazón. Porque siento mi espacio intacto en tu respiración. Porque llego a tocar cada obscuro rincon porque siento tu alma pedirmelo... Porque se que a pesar de lo que hagas amor.. eres mia! mia! mia! Si te provocaron otras manos tibias, ¿yo que ganaría con reprochartelo? ¿para que? Si olvidaste mi cuerpo, sin querer evitarlo, yo no voy a juzgarlo, es algo muy tuyo amor.. yo lo se! Cuando llega la hora de hacerte el amor, no detecto otra huella en tu corazón. Porque siento mi espacio intacto en tu respiración. Porque logro tocar cada obscuro rincon porque siento tu alma pedirmelo... Porque se que a pesar de lo que hagas amor.. eres mia! mia!! mia! ¿ yo que puedo decirte......? GEAR USED: - Taylor 412ce-LTD 2011 Spring Limited Walnut Acoustic-Electric Guitar - Blue Baby Bottle Studio Condenser Microphone - Sennheiser e835 Dynamic Microphone - Scarlett 8i6 is an 8 in / 6 out audio interface - Logic Express 9 Gracias!

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Wednesday, December 7, 2011

How To Make Ghetto Junobo (Feln's Way)

Instructions Bellow (You should do this OUTSIDE) Its ya boy FELN! coming from TDOT! aight so i havent made a vid for a while cuz i was busy. Aight so here is a tutorial on How to Make Ghetto Junobo Feln's way. If u want it thinner just add more paint thinner. ya sorry bout da music, i was using a new program. SUBSCRIBE What You Need: -Flat White Oil based paint, (i used bob ross cuz i went racking at micheals and was to lazy to get rusto.) -Any colour Oil paint (small tubes, very easy to rack) -a stir stick -a screwdriver or something to open the jug -mixing pot -paint thinner (add as much as you want if u want it drippy add more) -Dont use dot 3, its for ink NOT paint. -Funnel -Plastic Bottle -Mixing ball (nuts, marbles, screws anything) 1) Open the jug of paint and mix it well 2)add the colour you want and mix it 3) add paint thinner to make it thinner 4) Pour it into the plastic bottle 5) add a mixing ball into the bottle 6) add some more paint thinner if u want and close the bottle 7) Shake well 8)Put the paint into your favorite free flow mop and add a mixing ball (No regulator) 9) Go out and try it out 10) SUBSCRIBE AND ADD ME TO YOUR FRIENDS LIST

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Saturday, December 3, 2011

Authors@Google: Jack Bowen

Jack Bowen visits Google's San Francisco office to present his book "If You Can Read This: The Philosophy of Bumper Stickers". This event took place on April 21, 2010, as part of the Authors@Google series. "Imagine speeding along the freeway while your driver, Ludwig Wittgenstein, dissects and reassembles the bumper-sticker "wisdom" on passing cars. Thats the kind of trip it is to read If You Can Read This."—Tom Cathcart and Dan Klein, authors of Plato and a Platypus Walk into a Bar "In the sense of being pregnant with meaning, this book has a baby on board."—Christopher Hitchens, author of God Is Not Great Readers may find themselves involved in fender benders once they realize how much fun it is to think about the messages in bumper stickers and start tailgating in order to read and analyze them. A fantastic contribution to philosophy as it occurs in the real world.—John Perry, co-host of the nationally syndicated Philosophy Talk, professor emeritus of philosophy at Stanford University "If you love twitter (and even if you don't), you're going to love Jack Bowen's insightful and hilarious romp through the pre-twitter world of bumper sticker sloganeering. On every page I had two reactions: (1) a vigorous horse laugh, and (2) a curious 'uh, I didn't know that.' Humor and insight: what more can you ask from a book? Sex. Yes, it has that too. Read this book."—Michael Shermer, Publisher of Skeptic magazine, monthly columnist for Scientific American, author of Why People ...

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Tuesday, November 29, 2011

Sugarhill Gang - Rapper's Delight at No Stress Festival 2010

Big Bank Hank, Wonder Mike and Master Gee performing as Special Guests at the No Stress Festival 2010 in Göggingen, Germany with their greatest hit "Rapper's Delight". Credits: Camera - Johannes Knott, Mathias Menner, Alex Schuster, Steffen Bohne Editing - Alex Schuster Compositing - Johannes Knott Produced 2010 by Movie Visions Contact: knott@movievisions.de More live-clips and interviews coming soon. nostresscommunity.com

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Friday, November 25, 2011

How To Choose the Right Studio Microphone For Your Recordings

!±8± How To Choose the Right Studio Microphone For Your Recordings

Choosing a microphone shouldn't be too hard, assuming that you know the differences between microphones and what you will be using yours for. Granted, recording your vocals should not warrant the same type of studio microphone as recording instruments. It's important to know what you will be using it for, and then going on from there.

A general rule is that dynamic microphones such as the Shure SM58S are exceptional for instruments and life performances. As a matter of fact, if you pay close attention to what most live performers use, you can almost bet, that it will be a Shure SM58S. On the other hand, condenser studio microphones are used for vocals or other soft recordings where details are extremely important. As you can see, having both type of microphones would be beneficial, but that boils down to your budget.

The condenser has a flatter frequency then the dynamic, which for recording vocals is a must. What ends up happening when you record on a condenser studio microphone such as the AKG PERCEPTION 220, you get a more clearer and accurate recording. The dynamic on the other hand, tunes out some of the details because once again, they are meant to be used for instrument recording and live performances.

The condenser studio microphone also requires a preamp or a mixer, which will provide phantom power of around 48 volts. Because the condenser requires the electric juice to run, the preamp serves as a booster. The dynamic doesn't require any phantom power, seeing as how it's a more rugged and less sensitive counterpart to its brother microphone, the condenser.

There is also another important thing to consider when choosing the perfect studio microphone for you - the pick up pattern. Essentially there are three different kind of "pick up patterns;" the omni directional microphones, the bidirectional microphones, and the unidirectional microphones.

The omni directional microphones pick up sounds evenly, so if you have a home recording studio, STAY away from such microphones. Why? It will pick up your TV, your neighbours TV, and your dog barking at the cat.

Bidirectional microphones on the other hand pick up sounds from only two directions, the front and the back. They are often used in radio interviews, which allow people to share a microphone.
Unidirectional microphones are the optimal for home recording studios. These microphones pick up sounds from one direction, and allow you to isolate sounds that you don't want to record quite easily. They also include the cardioid microphone such as the Blue Microphones Baby Bottle Cardioid Condenser Mic.

In conclusion, it all depends on what you will be using your microphone for. If you plan on recording instruments or performing live, then a microphone such as the Shure SM58S Vocal Microphone is your best bet. On the other hand, if you are going to be recording vocals and care about the detail and clarity of them, then you have to purchase a condenser studio microphone.


How To Choose the Right Studio Microphone For Your Recordings

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